Published: 29/05/2024
Please follow link to website and photos of this exhibition click here
The figures pop up in unexpected places all around the open deer park, in shady woodland, in the walled garden; they can be viewed distantly in the landscape or close up as you wander around. Adding to the fascination is the concept of the single horizontal plane. A “datum figure” just inside the lower arcade below the entrance hall to the house sets the height for the 100 sculptures, putting them all at the same level, some at full height, some buried up to the waist, some elevated on columns. This concentrates the mind on the topography and the gentle undulation of the park and challenges our perception of the Norfolk landscape. I particularly enjoyed the figure that peers out from its column above the high wall of the walled garden, and the one
So what is it all about? What is Art? Just something pretty to look at, or something to challenge you, force you to interact with it, make you, the viewer, part of the process? As we wander around the figures, we become a part of the installation. We think about the layers of human history and geological time. It’s about the relationship of the human body to the space around it.
Houghton Hall has much more to offer to the visitor; the manicured gardens, the park, the exquisite interior of the house. A permanent collection of modern works of art makes Houghton a Sculpture Park of some standing. Running in parallel with the Antony Gormley installation is an exhibition of the work of ceramicist Magdalene Odundo. Her pieces are displayed in the rooms of the house –you may make up your own mind about how well these modern pieces sit with the décor of the home of Robert Walpole.
The Gormley exhibition runs until 31st October and the Odundo until 29th September. For more information, click here.